Saturday, February 09, 2008

Book Contempt

This is the first of a series of guest posts on Book Patrol by Lynn Wienck of The Chisholm Trail Bookstore in Duncan, Oklahoma.

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Book Contempt

"Is the traditional book, with the bound, printed pages and covers, held in contempt?" I asked myself that very question based on recent and expanding book evolution in three regions: use, license, and library access.

I like books for themselves finding sufficient beauty in printed words, illustrations, and bindings. Atmosphere, mystery, and excitement are found among the simple black-and-white lines of text. Why then are books utilized to generate art, furniture, lamps, and clocks? The art is superb, creative, and fresh, but books are cut, drilled, and painted for a final product having nothing to do with reading skills. It seems a travesty, a mockery, of the original intent of the volume.

Transmogrified, shredded books become recycled paper, papercrete, mulch, and fireplace starter. In a sardonic, slightly satiric view, resulting book gruel as sustenance enables one to eat one’s own words. The book is completely destroyed in this process; it retains no semblance of tome appearance.

Proposed license and copyright laws may limit perusal and acquisition of books. What purpose does it serve to restrict the loan of a volume or forbid the use of a quote within the pages? Such limits confine the exchange of thoughts and prevent access to necessary information.

Public library functions reflect the change in attitude toward books. Increasingly, these facilities have become centers for family recreation night and knitting instruction courses. The focus has shifted from provision of reading sources to community service. Other libraries propose stack automation where books are isolated and a "robot" selects the desired volume. Browse, search, select, and read at random is no longer an option. The stacks are off-limits except to the machine; resulting free space is allocated for activities.

The traditional book, with tired pages and worn covers, is held in contempt: unvalued, unwanted, inaccessible, abused, and ultimately dismissed and discarded. By the actions of those who work with them, sell them, trade them, use them, and read them, it is so. Respect, please, for a great resource – that which we have lost or carelessly removed cannot be replaced nor recovered.

2 comments:

Christina from Germany said...

Hi Phil and Michael!

I am a booklover and book artist and can totally understand your concerns regarding utilizing books for art.
Here's my take on this topic:
Making art with books (altered books, clocks, furniture etc.) is not to destroy beloved books, but to give new life to unwanted, unloved, destined-to-go-to-the-dump books. We don't take books that are one of a kind, valuable volumes and drill holes in them. We ask libraries for their rejected books or buy them cheaply at bookstore bargain bins. We are talking about massprinted books here that are abundant out there. Nobody wants them.
Instead of filling more landfills with them we take them and make things out of them that delight us. They delight us because of their "beauty in printed words, illustrations, and bindings"!
We don't use books because we want to diminish them but to enhance the beauty of books. It may be that beauty lies in the eye of the beholder. In my eyes it is better to see a book with clock hands at the wall that delights my heart instead of books in a dump.
I hope you can now understand a little bit why book artist "utilize" books for their art.
(Sorry for all spelling/grammar mistakes, I am a german booklover reading your blog everyday and enjoying it immensely!)

Christina

Christina said...

So sorry, of course "Lynn and Michael", don't know how a Phil popped up :-)

Christina

 
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