Tuesday, March 31, 2009

Hungry For Books? It's Time for the Edible Book Festival

The Lord of the Rings by Kurt B. Reighley


The International Edible Book Festival is held every year around April 1st.

"This ephemeral global banquet, in which anyone can participate, is shared by all on the internet and allows everyone to preserve and discover unique bookish nourishments. This festival is a celebration of the ingestion of culture and a way to concretely share a book."

There are events taking place around the world so get baking and get ready.

Seattle's annual contribution, Cook the Books!, takes place this Saturday April 4th at the Good Shepherd Center. Upwards of 100 digestible tomes will be on display for all the world to see, then eat! Admission is free with edible entry, $10 without. Yours truly will be a "celebrity judge" and I'll be awarding the prize for the "Most Structurally Book-like" entry.

Other prize categories
are:
Most Mouthwatering - presented by Molly Moon
Most Drop-dead Gorgeous - presented by Jill Lightner editor of Edible Seattle
Most Pun-derful - presented by Nancy Guppy
of Almost Live! fame


The World According to Carp by Karen Fredericks

With past entries like:

The Milagro Bean Dip War
One Hundred Spears of Solitude
Rosencrantz and Guildenstern Are Bread
The Unbearable Lightness of Bean
Remembrance of Things Pasta and
Banana Karenina

How can you go wrong!

To find out more about the event or to register an edible book click here.

More at Seattle Edible Book Festival's Flickr set

Previously on Book Patrol:
Books to Eat and Books about Eating

The Bookshelf Portraits of Victoria Reichelt

Possession Obsession, oil on canvas, 2008, 46 x 86cm





Tolstoi, oil on canvas, 2006, 50 x 50c





David Sequeira, oil on canvas, 2008, 80 x 60.5cm







Napoleon, oil on canvas, 2006, 60 x 60cm

Australian artist Victoria Reichelt has been painting bookshelf portraits for a few years. Recently, she began painting portraits of the bookshelves of actual people.

"This was a different way to do a portrait - because the decisions people make about the books they choose to buy, keep and display, reveals a lot about them. It offers a deeper insight into their interests and inspirations" Reichelt told the Inside Out blog who call Reichelt's work a "debate about 'the death of painting' and painting's relationship with photography."

Reichelt continues: "These works are a paradox to paint - as once the books are an image on canvas, they are shut forever and can never be read. In a painting, they serve a very different purpose from their intended function – they are purely objects like the others I paint and you’re forced to judge them by the covers."

The same could easily be said for photography. Once the picture is taken and the image developed one is "forced to judge" by what is presented.

It will be interesting to see how her work continues to evolve. The leap from painting staged bookshelves to actual bookshelves is huge and opens up a whole new realm of possibilities. Imagine high-end collectors having portraits done of their collections to complement their own portraits or a Candida Hofer approach of large scale paintings of library shelves that can be sold or given to top supporters.

The Dianne Tanzer Gallery will have show of Reichelt's work in November.

She received a $10,000 New Work Grant from the Australia Council for her exhibition Bibliomania: The Bookshelf Portrait Project which was held at the Linden Centre for Contemporary Arts in Melbourne in 2008.


Thanks to the blog of the Kenyon Review for the lead

Saturday, March 28, 2009

Missile Shelf

click to enlarge

"Of War & Wits & Power" is the latest from the Singapore-based industrial designer Daniel Loves Objects.

On its origin, Daniel says:

Driven by the recent crisis of certain countries who got very uptight over issues of being asked to disarm their missile test launched, their alarming action to remain hostile and persistent in their belief had stirred me to create this part of a furniture combination to depict their behavioral trait, a bookshelf with their golden army, strategically placed underneath, to uphold and to protect their ultimate plans, frozen in time for all to see.




Got to love that 'military base'

Thanks to Coroflot for the lead

Friday, March 27, 2009

Powell's Books Shelves Expansion

Michael Powell and his daughter Emily Photo by Leah Nash for The New York Times

The plans for a $5 million expansion of Powell's flagship store have been put on hold.

Citing the overall current economic downturn and a 5% decline in sales the "project no longer looked prudent" according to owner Michael Powell.

How close were they to enlarging their city of books? The plans were already drawn up and the financing was secured. And when do they feel they'll be ready to move forward?

“It’s going to take a period of time to recover...Whether it’s 2 years or 10 years I don’t know, but I don’t think it’s going to be quick. People are nervous.” says Powell.

More at Peter S. Goodman's piece for the New York Times on the current economic climate of Portland, Ore "A Downturn Wraps a City in Hesitance"

Wednesday, March 25, 2009

Shop at Barnes & Noble : Help the Kids at 497941

The Barnes & Noble in my neighborhood is having a Book Fair for a local pre-school. Its one of those 'a portion of the proceeds' events where a little piece of your purchase goes their way.

These days this is nothing to sneeze at and should be commended.

But here's the kicker:

For the school to benefit you must mention this code when purchasing: 497941

Granted you can shop at any B&N during the allotted time but where did they come up with 497941?

Using the zip code would even feel better.

This is a civic-minded gesture rather than a community-minded act. A chain behavior as opposed to a local independent response. There is a big difference.

Thanks to the West Seattle blog for the lead and image.

Bookshelves in the Water Closet

Symptom of Bibliomania - If this image begins to make you wonder whether you could put shelves in your bathroom.

This bookshelf mirage comes to us from a bathroom in Tokyo via lloydi


Thanks to the Bookshelf blog for the lead

Sunday, March 22, 2009

ARTIFACTUAL FICTIONS: The Auction Catalog as Graphic Novel

Hindsight might entice the reader of Leanne Shapton's bittersweet graphic novel IMPORTANT ARTIFACTS AND PERSONAL PROPERTY FROM THE COLLECTION OF LENORE DOOLAN AND HAROLD MORRIS,... ( Farrar, Straus and Giroux, 2009) to ponder that inevitable moment when an author might appropriate the form of the auction catalog to tell a story. It makes such perfect sense. Auction catalogs and bookseller's catalogs, especially those dedicated to the dispersal of a single collection, always tell a story. That story is told through the objects collected and why; often it is the story of an entire life shaped by consuming passions, even disturbing compulsions. And not uncommonly such stories are told publicly only on the death of the collector. So it makes sense, perfect sense. All this being said, there is almost no accounting for the surprise that I felt as I strolled through Broadway Books in Portland and saw this book, so perfectly mimicking the form of the auction catalog, displayed along recent graphic novels.

Now, admittedly, in my experience as an antiquarian bookseller, the auction catalog is pervasive. I have received them in the mail every other day for the last thirty years. Which is the point: I'm asking myself, in the moment, "What the hell is this doing here?" Shapton's novel comes as a complete surprise. She takes the form of the auction catalog, upends it. No auctioneer, of course, would produce a catalog of such mundane stuff.

Every personal note and inscription in a gifted book, every bit of clothing, every object associated with the doomed relationship documented in this "auction" is displayed for sale and valued. The catalog's offerings build their own voyeuristic narrative energy, defining character, action and sense of place. It is all rather compelling. Opening this book is like finding a picture of an old girlfriend in the bottom of drawer.

--Charles Seluzicki


More:

Randy Kennedy's review at the New York Times; A Novelist's Catalog of Lives on the Block.

Two + minute interview with Shapton at Your Tango:




Paramount Pictures has bought the film rights. Brad Pitt and Natalie Portman have signed on to play the leads.

Friday, March 20, 2009

Bookbag & Worn Stories



Bookbag, 2008

Lizania Cruz designed this canvas bag for Anthropologie. It was sent as a holiday gift to their better customers.

Cruz also created this:

Worn Stories, 2006 Found photograph, laser printed on fabric, then silkscreened as a dress pattern.



Thanks to swissmiss for the lead

More From John Marshall

John Marshall, at center, in this image from the Daily Beast

Former Seattle P-I book critic John Marshall follows up his final P-I story with a piece at the Daily Beast.

"There are many things that I will miss about being the book guy at the Seattle P-I and one of the most sorely missed will be the chance to give a boost to a book and an author who truly deserved it. During these difficult days for the printed word, they need all the help they can get."

Wednesday, March 18, 2009

The Madness of the CPSIA and How Google and Amazon Might Benefit


Last summer Congress passed the Consumer Product Safety Improvement Act of 2008 (CPSIA). While well intentioned, being primarily a result of the toys being made with in China with lead paint scare that swept the country, CPSIA has potential catastrophic consequences for the book world. What's the problem? Any book printed before 1986 becomes illegal in the hands of children.

Author David Niall Wilson sums it up nicely in his post, Burning Books for Consumer Safety:

Under this law...very strict testing is imposed on every children’s book published before 1985 (It really did start in 1984 Mr. Orwell…right after) - so strict that Thrift Stores around the country have actually begun destroying and throwing away all children’s books written before 1985. 209 years of children’s story magic, the illustrations of Wyeth, Winnie the Pooh, The Hardy Boys and Nancy Drew, The Wind in the Willows and Charlotte’s Web.

Apparently the regulations that kept lead out of the ink used in illustrations was written long after those denying that same use in paint for toys.

They are getting ready to burn the magic. They are getting ready to destroy something that means more than we can probably even conceive at this early point in the game. There is only one group that can stop them, and we are it.

The testing of these pre-1986 books to see if they are "safe for our children" is cost prohibitive for most businesses rendering compliance impossible.

One misconception is that the lead is contained in the illustrations (think paint) but Allan Adler, vice president for legal and governmental affairs for the Association of American Publishers, told the AP that the lead is "contained only in the type, not in the illustrations," so essentially anything printed before 1986 is not kid-friendly and subject to the wrath of the law.

Librarians must be going nuts trying to figure this one out. There are 116,000 public and school libraries across the country and I bet every last one of them has a "contaminated" book on its shelves.

There is a collectible loophole in the bill as Walter Olson points out in his detailed review of the issue; The New Book Banning. "Older books were pointedly left off the safe list; the commission did allow an exception for vintage collectibles whose age, price, or rarity suggested that they would most likely be used by adult collectors, rather than given to children."

Enforcement; however, seems impossible though with so many people out of work these days the government could easily hire a brigade of lead police to crisscross the country jailing booksellers and other offenders. A whole new cottage industry of enforcement, testing and compliance could spring up over night.

Who could possibly benefit from this ill-conceived law. Well, how about Google and Amazon for starters. Call me paranoid but if you eliminate the opportunity for people to acquire these books in their original form from bookstores and let's assume that the publishers of pre-1985 books are not going to "safely" reprint them then where will you be able to get them. Where will this vast archive of of literary history live? Hmm, Google Book Search should have a copy for your perusal and Amazon just might have a copy for you to print on demand. Now how safe is that for the health of our society?

It is absolutely ludicrous to think for a minute that this is presents a serious issue for our children. Yes, children love to put things in their mouths but that's a far cry from being a bibliophagist!

Jay Dempsey, a health communications specialist at the Center for Disease Control (CDC) says of the risk "If that child were to actually start mouthing the book — as some children put everything in their mouths — that's where the concern would be...But on a scale of one to 10, this is like a 0.5 level of concern."

So please keep your laws off our books; us booksellers have enough to worry about these days.

A rally is planned for April Fools Day in Washington, D.C.

Tuesday, March 17, 2009

Malin Källman's Evolving Bookcase

click to enlarge


Malin Källman is a product design student at Edinburgh College of Art. For her final project she is building a bookcase using a methodology she is calling 'Design by Darwinism.'

Her goal is "to take as much as possible of the design process out of my own hands in order to create an object that is created for the user not for the designer."

She writes "The idea is to use the influence of potential users of the bookcase as my "natural selection" in order to Evolve it to its ultimate form. To do this I need lots of people with opinions to visit my blog and leave comments."

The latest component that was decided upon was the height of the bookcase:


Now she is asking for help in deciding some of the other features that will adorn the bookcase.

Here's the master list:
  • Shelving with lip to keep books from falling out
  • Shelving with wire sides to keep books from falling out
  • Shelves with alternating steps for easier climb
  • Splayed legs for stability sideways
  • Seat with an extra shelf underneath towards the back
  • Two extra shelves on back of staircase
  • Adjustable bookrest under staircase
  • Bent seat with armrest/ place for coffee-cup

You can vote here

It will be interesting to see how this one turns out.




Saturday, March 14, 2009

Mixing the New with Old : 21 New(er) Books We Like

Display table at Wessel & Lieberman that holds many of the 21 New(er) Books We Like

For those who follow Book Patrol you've heard this song before. For a bookshop to survive in today's rapidly changing landscape one must take a more integrated, holistic approach to bookselling. The days of being able to survive selling just new books, or to a lesser extent used books, are just about up. The current seismic tremors in the publishing world coupled with the new and emerging modes of content delivery just might be the straw that breaks the traditional bookstore's back.

Here in Seattle, in addition to being a destination for collectors and bibliophiles, we are known for being one of the only bookshops that deals with and cherishes books without ISBN numbers.

Yet, we have also always sold new books; offering a curated and highly filtered selection of recently published books in our areas of interest.

Last winter in our print catalog of antiquarian and collectible books we added, for the first time, an insert titled 21 New(er) Books We Like and have since added a page to our website dedicated to these in-print gems. We will also begin announcing on Twitter when a new book has been added.


Screenshot of 21 New(er) Books We Like at wlbooks.com


One can only wonder what the bookshop of the future might be like. Will it become more like a museum or will it evolve into a vibrant book center serving all the book needs of a community?

I can envision a time, in the not too distant future, where we will provide our customers with the first edition of a book they covet along with the opportunity for them to download a digital version for their e-reading device as well as offering them a branded edition printed on demand (or more precisely made to order) and bound, in a binding of their choice, by a book artist or bookbinder. It will be a place were quality still matters and the book will always be welcome.

Friday, March 13, 2009

Books - "The New Wireless Platform"

click to enlarge


This clever webstrip, titled "Progress," appeared at Penny Arcade earlier this week.

A Test and a Survey

Brad Johnson of The Book Shop in Covina, CA has circulated this little test within the gates of Facebook. It was created in the late 1960's and is attributed to Charles B. Anderson of Anderson’s Book Shop in Larchmont, New York. The test is both humbling and encouraging and reminds me that one of the reasons I love bookselling is that the learning curve is always vertical.

How Good a Bookman Are You?

This is a test designed to determine your bookman’s I.Q. A score of 20 right should entitle you to consideration as the editor of the next edition of “The Bookman’s Glossary”; 18 or 19 right makes you a super-bookman. If you get 16 or 17 right, you are a top-flight bookman; 14 or 15 right, a competent bookman; 12 or 13 is fair; 10 or 11, a conditional-pass. No matter what your score, you can add to your bookman’s vocabulary and background by owning and referring frequently to the latest edition of “The Bookman’s Glossary.” (Bowker).

(1.) incunabula
a. pirated editions
b. early medieval manuscripts
c. writings of the Incas
d. books printed before 1501 A.D.

(2.) half-tone
a. a line-cut
b. a photo-engraving
c. an en-space in type measurement
d. a semi-quaver

(3.) Bodoni
a. an Italian antiquarian
b. a typeface
c. an Italian bookseller known as “Bold-face Bodoni”
d. a Swiss printer of chap-books

(4.) bibelot
a. a decorative book
b. a small Bible
c. paraph
d. vellum

(5.) bowdlerized
a. pied (as type)
b. expurgated
c. illegible
d. laminated

(6.) perfect binding
a. glued binding
b. extremely durable binding
c. hand-tooled leather binding
d. side-stitching

(7.) colporteur
a. a traveling book agent
b. an American song writer
c. a French pamphleteer
d. a medieval songbook

(8.) palimpsest
a. hieroglyphic or cuneiform writing
b. folio editions of the 16th and 17th centuries
c. papyrus made from Nile River reeds
d. parchment written upon two or three times

(9.) fore-edge painting
a. the illustration on the front of a book jacket
b. pictures painted on the outer edges of a book
c. the actual illumination of a manuscript
d. a color process in printing known also as fourflushing

(10.) font
a. a hairline rule
b. a base for pamphlet binding
c. the manufacture of foolscap paper
d. an assortment of type

(11.) bibliophile
a. a bookseller
b. a Slavic bible
c. a collection of rare bibles
d. a lover of books

(12.) intaglio
a. one of six basic principles of printing
b. an Italian flat-bed press
c. a seraglio
d. an object pressed into the cover of a book

(13.) hornbook
a. an encyclopedia
b. a book about musical instruments
c. a primer
d. a dictionary

(14.) Jean Grolier
a. an early French bibliophile
b. a French encyclopedist
c. a 19th century French-Canadian publisher
d. the founder of Librairie Hachette

(15.) Grub Street
a. “Publishers’ Row” in London
b. Rotten Row in London
c. literary hacks
d. book-worms

(16.) holograph
a. sans-serif
b. a manuscript wholly in the handwriting of its author
c. a manuscript for which the author receives no royalties
d. silk-screen printing

(17.) recto
a. an expression used by printers meaning “O.K. to print”
b. the correction of a printer’s error
c. the right-hand page of a book
d. the last page of a book

(18.) Mathew Carey
a. a type designer
b. an early American bookseller and publisher
c. a partner in the early American publishing firm of Carey-Thomas
d. a Scottish publisher

(19.) Pica
a. a serif
b. twelve-point (type size)
c. a stencil
d. a tight-fisted bookmaker

(20.) variorum edition
a. any book of varied contents
b. a book of the hours
c. any anthology
d. a book with notes by various editors

Answers: 1, d; 2, b; 3, b; 4, a; 5, b; 6, a; 7, a; 8, d; 9, b; 10, d; 11, d; 12, a; 13, c; 14, a; 15, c; 16, b; 17, c; 18, b; 19, b; 20, d.


Now that we have an idea of our bookselling IQ let's have a look at the recent results of a survey of what's going on in the non-new book market. The survey was undertaken by Christine Volk, Vice-President of the Independent Online Booksellers Association (IOBA) and proprietor of Bookfever.com

Used Bookselling in the Recession


48 booksellers participated in the survey, representing 20 states, Canada and the UK - 11 sellers were from California, 5 from New York. Not all sellers answered all questions, although most did.

Approximately 2/3rds of the sellers responding were members of IOBA.

The sellers who answered were overwhelmingly small businesses: only 11% had 3 or more employees (including the owner as an employee). They also had a significant amount of experience - 91% had been working 5 or more years as booksellers, 73% for 10 or more years. 91% were full-time booksellers.

23% had open stores; the rest were primarily online sellers, although some also did book fairs, mailed out catalogues or were open by appointment. For those who did have open stores, the amount of business generated by the store vs online ranged from 10% to 95% for the store.

61% of the sellers had an average sales price in the $10-40 range
27% of the sellers had an average sales price of $40-100,
8% of the sellers had an average sales price of over $100 and only 4% had an average of $10 and under.


MEDIAN

The median response was a loss of 10% in 2009 over 2008, and a loss of 5% in 2009 over 2007. In other words, the median decrease between Jan-Feb 2007 and 2009 (a period of 14 months) was 15%.

for those sellers with an average sales price in the $10-40 range, the median decline from 2008 to 2009 was 4%; for those sellers with an average sales price in the $40-100 range, the median decline from 2008 to 2009 was 20%.

the median number of years in the business was 11.


AVERAGES

change in $ sales between 2009 and 2008 -10.6%
change in $ sales between 2009 and 2007 +.4%

(the majority of sellers had an increase between 2007 and 2008)

for those selling books with an average sales price of $10-40, the 2009 vs 2008 decrease was 7.1% , for those selling books with an average sales price of $40-100, the decrease was 18.7% and for those selling the most expensive books, it was 18.5%.

number of years as a bookseller : 13. Those selling books in the $40-100 range - that is, the group which appears to have experienced the largest year-over-year decline - are the most experienced with an average of 15 years.

number of employees (counting self as 1) - 1.5

RANGE

change in $$ sales between 2009 and 2008 ranged from a decrease of 66% to an increase of 100%

change in $$ sales between 2009 and 2007 ranged from a decrease of 75% to an increase of 135%

years of experience ranged from 1.5 to 32 years

number of employees ranged from .5 for a part-time bookseller to 26, but 58% only had one employee, 23% had 1.5 to 2 employees

54% of booksellers responding reported a decrease in 2009 from 2008, 9% no change and 37% an increase

51% of booksellers responding reported a decrease in 2009 from 2007, 3% no change and 46% an increase


Volk also shared some of the comments she received noting that even in these dark days she "found the level of confidence expressed quite amazing - even those sellers whose sales were down and who expected the downturn to continue" were still hopeful and happy to be doing what they're doing.

Tuesday, March 10, 2009

The Fax Man : The Archive of Austin G. Cooley

Associated Press Wirephoto, Model 6000, S/N 6148

We spend a lot of time here at Book Patrol talking about how technology is affecting the book and newspaper world. Tonight Jeff Bezos continues his Kindle 2 media tour with a stop on Nightline where he boldly claims that "books in their current form are becoming obsolete" and that "over time E-books will be the only way people read books." Only time will tell if the book as a physical object will become extinct. What is in danger of becoming extinct in our lifetime; however, is the printed newspaper.

Interestingly enough, we are currently handling the archive of a man who whose invention changed the face of newspapers in the 1930's and who also invented the Rayfoto technology which allowed radio listeners to print on demand their favorite radio programs in newspaper form. Here is the story of Austin G. Cooley:

At the age of 16, Austin Cooley installed the first radio station at Little Port Walter, Alaska. At the age of 22, Cooley made his first experiments in the electrical transmission of photographs as a student at the Massachusetts Institute of Technology.

He invented the “rayphoto”, or radio photograph which was the precursor to the Fax machine. In 1928 Radiovision Corp. published Cooley's How to Receive Radio Pictures at Home an inside look at "the first authentic radio picture apparatus." The rayphoto system would attach to your radio and essentially turn the radio program you were listening to into a newspaper. Think of it as an early print on demand technology. Many had high hopes for this new technology. Beginning in 1927 RADIO BROADCAST magazine ran a series on Cooley's "Rayfoto" stating "the subject of radio photograph reception is so large that it can be discussed only in part on each article" and "the development of the Cooley 'Rayfoto' system opens for the first time to the American experimenter an important 'next step' in radio development." Unfortunately, the technology was too costly and slow for mass adoption and with television just around the corner there was nowhere for the technology to go.

Cooley did; however, make history in 1935 when the first successful wireless transmission of news photos for the New York Times took place on one of his machines. He would eventually become the chief executive of Times Facsimile, Inc., (previously called Wide World Wired Photos), a subsidiary of the New York Times.

During WWII, the use of the facsimile aided U.S. military forces by transmitting accurate, current weather maps. Cooley held more than 75 U.S. and foreign patents in the fields of facsimile and navigation.

Workmen Painting. Signed D. A. McKenna, 1957

Cooley has been inducted in to Nevada's Inventor's Hall of Fame and is the recipient of numerous awards including The Lee DeForest Award from the Radio Club of America. The Austin Cooley Talent Grant is still offered to graduate students at The University of Alaska Fairbanks. Cooley was also the nephew of noted Alaskan industrialist and entrepreneur Austin E. "Cap" Lathrop.

A copy of Cooley’s obituary (New York Times, September 9, 1993) gives an excellent overview of this innovative man’s career.

Wessel & Lieberman is pleased to be handling the Austin G. Cooley archive. For more information on its contents click here.





Monday, March 09, 2009

A Public Display of the Kindle

With all the press and hype that has surrounded the life of Kindle 1 and Kindle 2 you would have thought that by now I would have seen at least one of them floating around the streets of Seattle; after all it is Amazon's home court. But I haven't seen one yet. I have seen it on Oprah, on the Daily Show, and on Jimmy Fallon's new late night show but not on the bus, in the streets, or at any friends house.

Brier Dudley, the tech writer for the Seattle Times, got a Kindle 2 from Amazon to test drive. Since the only place one can "see it" is at Amazon.com and instead of trying to explain it away he "invited people to come down to the paper and try the review unit Amazon loaned me."

The "people who showed up ranged from Web entrepreneurs and a medical student, interested in reading journals on the device to retirees who love books." One employee from Amazon even showed up with his Kindle to allow more people the opportunity to play with it.

Here is a video of the event:



and in case you missed the Kindle's solo appearance on Late Night with Jimmy Fallon here it is:

Tuesday, March 03, 2009

Girl Trouble in 1899

Found in a copy of the Vignette Edition of the Poems by John G.[reenleaf] Whittier. Published in 1893 by the Frederick A. Stokes Company and illustrated by William A. McCullough. It really would have been something if it was stashed between pp. 98-102 where the poem "The New Wife and the Old" resides.

Required Viewing

Recently, CBS Sunday Morning gave us 6 minutes of Bibliomania at it's finest with this report from Paris.




It begins with a trip to the apartment of a self-professed bibliomaniac. This guy is first ballot.

Then we get some time with the dynamic duo of John Baxter and Martin Stone.

Baxter gives us a little evolutionary history of one type of collector; the modern firsts collector - how one goes from simply a reader - to hardcover first edition- to a signed copy - to advanced proofs. As Baxter says in his 2003 book chronicling his biblio-escapades, A Pound of Paper: Confessions of a Book Addict, "One rationale of book collecting is that it brings you closer to the writer's you admire." Baxter then breaks out his copy of the The Great Gatsby in a dust jacket; one of the true hi-spots of modern literature.

Then we move on to Martin Stone, the legendary rocker turned legendary book scout. We watch as he scouts a two volume set which by the end of the segment he has resold for a $300 profit! Why does Stone live in Paris? "The best books in the world are in France" says Stone who goes on to sum up his relationship with books by saying "I need to have many more books than I am going to read."

Baxter and Stone are not strangers to one another. Baxter's book A Pound of Paper is dedicated to Stone and he's mentioned throughout as a sort of guiding light for Baxter's obsession. After the American edition of Pound of Paper was released Baxter and Stone came to America. Though touted as a promotional tour for the book part of the plan was for Baxter to follow Stone around as he scouted the West coast and then write a book about it. One of their first stops was Seattle and Wessel & Lieberman. It was quite a treat for us and an honor to be part of their biblio-escapades. I am not sure what happened to that project but it's good to know that Martin Stone's scouting tour of America was chronicled.

Nigel Burwood's post on Stone over at Bookride
Piece in the San Francisco Chronicle that appeared during Baxter and Stone's visit to the Bay area.

 
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