
Source: Frugaldad.com
Wednesday, December 28, 2011
Tuesday, December 27, 2011
Letterpress and the Restaurant: Patricia Curtan's Menus for Chez Panisse
It has been over 40 years since the legendary chef Alice Waters opened Chez Panisse in Berkeley, California. While the restaurant became known for its single price-fixe menu it also set the stage for the Eat Local movement which would heavily influence the mind-set of many chefs, restaurants, and farmers around the world.
Fortunately, during the early years there was a member of the kitchen staff who was an artist who also dabbled in letterpress printing.
For Waters "saw the beauty and aesthetic of fine printing as a way to communicate at the outset of the diners experience the care and attention given to the preparation of their dinner" hence it wasn't long before Patricia Curtan was designing and creating the menus; the customer's first contact with the restaurant's offerings.
This beautiful monograph, published by Princeton Architectural Press, is also designed by Curtan and features a healthy sampling of her work over the years.
The book:
Menus for Chez Panisse: The Art & Letterpress of Patricia Curtan. Foreword by Alice Waters
Post at the Paris Review by Curtan on the Chez Panisse Menus
Posted by
Michael Lieberman
at
3:47 PM
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Labels: Chez Panisse, letterpress printing, menus, Patricia Curtan
Friday, December 23, 2011
Wednesday, December 21, 2011
A Wild Edition of "The Wild Swans"
The Wild Swans recounts the story of a princess who sets out to rescue her eleven brothers who have been turned into swans by their wicked stepmother and forced to fly away. The tale was first published in 1838 in the compilation Fairy Tales Told for Children. New Collection by Hans Christian Anderson.
An amazing new wordless version of the famous tale is now available. Illustrated by noted toy designer Thomas Aquinas Maguire and published by Simply Read Books. Maguire has transformed the literary tale into a unfolding visual feast.
Bound accordion style the book extends to over 60 feet! The illustrations were drawn in 8-feet-long sections and were then married in Photoshop. The book was artfully designed by Robin Mitchell-Cranfield.
This visual rendering is accompanied by a separate booklet which reprints the original tale and is laid into a pictorial folding box with a magnetic flap.
Clearly a beautiful production of a classic work and hard to beat for $24.95.
Posted by
Michael Lieberman
at
1:24 PM
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Labels: accordion fold, book arts, fairy tales, Hans Christian Andersen, Simply Read Books, Thomas Aquinas Maguire
Tuesday, December 20, 2011
A Determined Reader and Book Patrol at 5
from the 2008 production Traces from the French Canadian theater company Les 7 doigts de la main.
It has been a little over 5 years since I got a crazy idea to start blogging about books and their place in our world. The pace of change in the book universe has not slowed one bit since my first post and neither have the options for sharing and responding to the plethora of information about books that permeate the internet. While the pace of blogging has slowed somewhat recently it is not for lack of engagement nor interest - the availability of new social media tools have allowed for new ways of sharing the cool stuff I come across. If you miss the frequency I would encourage you to visit Book Patrol at any of these following venues:
Twitter
Pinterest
Tumblr
You will quickly realize that there is still quite a lot going on :-) and I encourage you to keep up with Book Patrol on any or all of these venues. And stay tuned for we have some exciting things in the works for 2012.
Now in honor of Book Patrol's 5 year anniversary here is one from the vault. Written almost 5 years to the day, The Bookseller Manifesto Part I: I am a Bookseller - New Definitions for a Shifting Landscape, shows that as much as things have changed in the last 5 years we still face many of the same challenges that presented themselves then. Enjoy!
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The Bookseller Manifesto Part I: I am a Bookseller - New Definitions for a Shifting Landscape
The world of the antiquarian and used bookseller has been turned upside down. A dinosaur of a trade that pretty much moved at turtle speed for most of the 20th century has had it shell torn off in the last decade.
The new bookseller has feared worse. It has become almost impossible to sell new books. Though as a whole the new book world was not as set in its ways as the bookseller in the resale market (I will use this term to refer to the non-new book bookseller). The commonality of product inherent in the new book world has made it the most susceptible to the emerging technologies. There are no surprises - you can schlep to the bookstore to pick up book "A" or you can go online and get book "A" cheaper and quicker. Convenience does a lot of damage to loyalty
For the resale market it is the elimination of any barrier to entry that poses the greatest threat. The only criteria to becoming a 'bookseller' today is that you have a valid credit card and you can find a username that hasn't been taken yet. That is it- no apprenticeship, no schooling, no experience, no knowledge of the trade.
Yet with all this upheaval there has been no change in the definition or label of what or who a bookseller is.
Antiquarian is a vague term that implies antiquities but is commonly employed to describe collectible books of all sorts regardless of ageLet's just say, like the generic term bookseller, the term antiquarian is well antiquarian and needs to be revised.
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Thanks to each and everyone of you for making Book Patrol part of your book world.
Happy Holidays and the very best wishes in the coming year.
Michael
Posted by
Michael Lieberman
at
12:08 PM
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Labels: Book Patrol, bookselling, theater












